Well, to start off with, Aditya Chopra spells yet another poignant dimension of pure love as in his previous ventures with SRK; DDLJ and Mohabattein. Yeah! These tales were retentive impressing everyone from 8-80yrs old men and women. Of course, we fell in love getting imbibed with those spellbinding personations in these flicks. So, guess what about Rab Ne Bana Di Jodi � a film that brings back sensational pair SRK-Aditya together after 8yrs? Does the film exceed everyone's expectations on 'Love' n 'Entertainment' factors? Or merely conks out dashing down our hopes?
Hats off to Aditya Chopra! An awesome motif of delineating a touching story of romance...
Have you ever stopped to think if the most ordinary, uninteresting, unobtrusive man you might see on the road or around you might have a love story to tell?
Maybe not! How can an ordinary man have a breathtaking, goose flesh igniting, awe inspiring love story of all things to tell?
But guess what - love does not differentiate between the ordinary and exceptional, the uninteresting and interesting, the unattractive and attractive. Because love knows no distinction. It can happen to anyone and once it does it engulfs us into it completely and gives us those heaven-sent experiences that only love can yield.
Perhaps, everything in fine and good with the one-liner�. But Aditya Chopra fails in crafting a gripping narration all throughout the show. A flimsy screenplay lacking finesse with bits and pieces of discontinuities and these attributes easily scatters audiences' attention. The best illustration goes with SRK's ducky actresses shaking legs with him for 'Phir Milenge Chalte Chalte' on theatre screen. It's completely odd for that situation and possibly, the sequences could've been switched over to latter half as a 'special round in Dance show'. Was it an attempt to deliver a replica of 'Om Shanthi Om' song of film stars dancing together?
The film is about Surinder Sahni (Shahrukh Khan) - a simple, clean hearted, honest man working for Punjab Power, leading a humdrum life, when he meets his total opposite and finds love in the flamboyant, fun-loving, vivacious -Taani (Anushka Sharma) for whom the whole world is her canvas and she paints her own life with the colours of rainbow all until unforeseen circumstances changes it all and brings them together. Sooner, its biggest dance show in Amritsar and Surinder coiffes himself as Raj what he calls 'Macho Chap'� He does it all to impress his girl Taani and what's next?
It's a journey filled with laughter, tears, joy, pain, music, dance and a lot of love. A journey that makes us believe that there is an extraordinary love story in every ordinary jodi.
The first half dawdles with sluggish narration until earlier minutes to pre-interval where SRK's soliloquy with statue takes on emotional quotients. Well, the latter half comprises of few enjoyable moments like Anushka racing on her bike with 'Dhoom Machale' on BCM and next ultimate shot of Vinay Pathak-SRK at garage.
It's a cr�me de la cr�me performance by Shah Rukh Khan as he emotes resplendently on all situations. Be it his make-over sequences adjusting his tight jeans in dance class or the performance in penultimate minutes, King Khan is awe-inspiring. A flawless performance by debutant Anushka Sharma and of course she eclipses Shah Rukh on many parts. What to say about Vinay Pathak? He's over-the-top and more emblazons to the screen. He strides sparkling smiles on our lips with his wiggeries and soaks our eyes as he gets emotional. Don't miss the great dance of SRK-Vinay for the original tune of 'Rab Ne Bana Di Jodi'. Its emotional outbursts from every characterization that turns entire spotlights on RNBDJ�
Aditya's innovative thought is laudable on certain parts like Shah Rukh laying rose next to food and again placing it vase, pictorial of Anushka's face for the song 'Tuj Mei Rab Diktha Hai' and entire Amritsar being lit up, 'I Love You' deserves grand round of applause. Fine! Young lads and missies would hail with praise worthy comments for Adhi's ideation. Both SRK and Anushka swallowing Pani Purees followed by abrupt sequence where he has to finish of delicious Biriyani are evokes laughter.
Nevertheless, the biggest flaw is that how come a woman fails to recognize her husband with a slight-make over�. The characters of Surindar and Raj differ merely with thin moustache, hair style and costumes. Both the characters have same voice sans any modulations�.
What barricaded Aditya's cognizance while dropping these lines on his paper? Indeed, it's a billion dollar question.
Ravi K Chandran's cinematography enhances visual quality and his placement of creative angles deserves special attention. The duo Salim-Sulaiman seems to have not percolated a lot for background scoring. It's again the pieces of existing numbers in album tuned and they sway on all songs.
Possibly, 'Haule Haule' and 'Dance Pe' peaked with high-promos prior to release. For sure, both the versions of 'Tuj Mei Rab Dikta Hai' capture your senses with beauteous visualizing. 'Phir Milenge Chalte Chalte' fails to make it big despites grand set decorations, costumes and top-charting actresses with SRK. Ritesh Soni's editing especially on 'Dancing Jodi' at the climax is mind blowing... Choreography by Vaibhavi and Shiamak are sumptuously ne plus ultra�
On the whole, Rab Ne Bana Di Jodi is enjoyable on many parts with fun, frolic, lots of music and dance, pains and emotions.
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